2013-2014, quite a stressful year (both personally and professionally) where I discovered a certain catharsis to drawing.  These drawings began as improvised reinterpretations of my dual compositions with visual influences coming from the Yin Yang symbol, Jungian archetypes, Surrealism and Cubism, which I began to see as explorations into the land, cosmos and the unconscious.  In ‘The Doors of Perception’ Huxley wrote that according to research we predominantly dream in black and white.  Personally, I don’t think that’s true – I often have vivid dreams and can recall having many in colour.  Nevertheless, I curiously came to look upon these drawings as ‘dreamscapes.’